A resource for classical art lessons for everyone interested in art
-or-
How I learn more from my students than they learn from me
Friday, September 28, 2018
Sunday, March 12, 2017
The beauty of art can counter Islamophobia – but it won't be easy by Jonathan Jones of the Guardian
Jonathan Jones is one of my favorite art critics; this is his latest column in The Guardian. In case you are too busy to click all of the links, here is the poem by John Keats that he refers to in the article:
Addressed to the Same
John Keats
John Keats
GREAT spirits now on earth are sojourning;
He of the cloud, the cataract, the lake,
Who on Helvellyn’s summit, wide awake,
Catches his freshness from Archangel’s wing:
He of the rose, the violet, the spring,
The social smile, the chain for Freedom’s sake:
And lo!—whose stedfastness would never take
A meaner sound than Raphael’s whispering.
And other spirits there are standing apart
Upon the forehead of the age to come;
These, these will give the world another heart,
And other pulses. Hear ye not the hum
Of mighty workings?—————
Listen awhile ye nations, and be dumb.
He of the cloud, the cataract, the lake,
Who on Helvellyn’s summit, wide awake,
Catches his freshness from Archangel’s wing:
He of the rose, the violet, the spring,
The social smile, the chain for Freedom’s sake:
And lo!—whose stedfastness would never take
A meaner sound than Raphael’s whispering.
And other spirits there are standing apart
Upon the forehead of the age to come;
These, these will give the world another heart,
And other pulses. Hear ye not the hum
Of mighty workings?—————
Listen awhile ye nations, and be dumb.
Tuesday, June 7, 2016
Finished Red Chalk Portrait of Namii
A little bit ago I posted about a demonstration at Patricia Hutton Galleries where I started a drawing. The portrait is now finished:
Namii, Jaime Cooper, red chalk on sanded pastel paper |
Saturday, April 23, 2016
Drawing demonstration at Patricia Hutton Galleries
I gave a live portrait drawing demonstration at Patricia Hutton Galleries. Thank you to all who stopped to chat! Namii is not finished yet, but I will post more pictures when she is.
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Namii by Jaime Cooper (unfinished) |
Patricia Hutton and Jaime Cooper during the demo |
Sunday, January 31, 2016
Monday, January 25, 2016
The studio is completely moved to the new location!

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Showing the setup for my students and some student work |
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Some of my work and my antique desk. |
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Some of my work and demos for students |
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Part of the art library and drawing models |
Sunday, January 24, 2016
Correggio Commission
See the previous post here.
New Correggio Commission
I have recently received a commission to paint a copy of Correggio's Head of Christ, which is owned by the J. Paul Getty Museum. It was painted about 1525 - 1530. It is an extremely delicate and sensitive portrait, and I am looking forward to attempting it. I will be doing a series on my painting process once I get a little further along with it.
According to the Getty Museum:
As Christ stumbled under the weight of the cross he bore on the way to his crucifixion, Saint Veronica comforted him and wiped his face with her veil. According to legend, Christ's features were miraculously imprinted on the fabric. In this haunting depiction, Correggio painted Veronica's veil as the white cloth in the background. Christ faces the viewer and parts his lips as if to speak.
Through the use of strong light and shadow as seen in the defined cheekbones, line of the nose, and hollow of the neck, Correggio gave his forms a sense of volume. He further used light to emphasize the image's poignancy, placing the left half of Christ's face in shadow while the right side receives light. The subject matter and small size of the Head of Christ probably indicate that it was made for private devotional use.
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Head of Christ, Correggio, J. Paul Getty Museum |
According to the Getty Museum:
As Christ stumbled under the weight of the cross he bore on the way to his crucifixion, Saint Veronica comforted him and wiped his face with her veil. According to legend, Christ's features were miraculously imprinted on the fabric. In this haunting depiction, Correggio painted Veronica's veil as the white cloth in the background. Christ faces the viewer and parts his lips as if to speak.
Through the use of strong light and shadow as seen in the defined cheekbones, line of the nose, and hollow of the neck, Correggio gave his forms a sense of volume. He further used light to emphasize the image's poignancy, placing the left half of Christ's face in shadow while the right side receives light. The subject matter and small size of the Head of Christ probably indicate that it was made for private devotional use.
Wednesday, January 13, 2016
Working on moving to my new studio
I am moving the studio to a nicer location off the Diamond in Ligonier (the traffic circle in the middle of town). The new address is 116 West Main Street, Ligonier, PA 15658. The new studio is located next to the Ligonier Echo office, across the sidewalk from the library. Art lessons are currently in full swing in the new space and my students are loving it!
Tuesday, December 15, 2015
Painting Sold
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