One of my students is doing a master copy of Millais'
Ophelia. She is working from an image on my computer and I desaturated it to gray scale so she could clearly see the value structure as she is working on the underpainting. I liked the black and white version much better. I thought the greens in the image we were painting from were too saturated. I have never seen the original in person, so I am not sure how it compares. We were discussing this and my student said she liked the vibrant greens. I partially desaturated the image, and she was right! I like the vibrant greens better too, when compared to a slightly desaturated version. I love teaching, as I think sometimes I learn more than my students. I think the vibrant greens make the painting a bit more arresting, and contrast with the subject matter. Dead Ophelia surrounded by all that vibrant green life. This is a lesson in how important color studies are.
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Millais' Ophelia, Tate Britain, grayscale |
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Millais' Ophelia, Tate Britain, desaturated |
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Millais' Ophelia, Tate Britain, original |
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